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Tuesday, November 23rd 2004

12:00 AM

A Tale of Two Cities by Charles Dickens

  • Mood: Melancholy
  • Reading: Peace Child

This is the saddest story ever told! I put together, my two favorite chapters:

 


The Fellow of No Delicacy
    If Sydney Carton ever shone anywhere, he certainly never shone in the house of Doctor Manette. He had been there often, during a whole year, and had always been the same moody and morose lounger there. When he cared to talk, he talked well; but, the cloud of caring for nothing, which overshadowed him with such a fatal darkness, was very rarely pierced by the light within him.
    And yet he did care something for the streets that environed that house, and for the senseless stones that made their pavements. Many a night he vaguely and unhappily wandered there, when wine had brought no transitory gladness to him; many a dreary daybreak revealed his solitary figure lingering there, and still lingering there when the first beams of the sun brought into strong relief, removed beauties of architecture in spires of churches and lofty buildings, as perhaps the quiet time brought some sense of better things, else forgotten and unattainable, into his mind. Of late, the neglected bed in the Temple Court had known him more scantily than ever; and often when he had thrown himself upon it no longer than a few minutes, he had got up again, and haunted that neighbourhood.
    On a day in August, when Mr. Stryver (after notifying to his jackal that "he had thought better of that marrying matter") had carried his delicacy into Devonshire, and when the sight and scent of flowers in the City streets had some waifs of goodness in them for the worst, of health for the sickliest, and of youth for the oldest, Sydney's feet still trod those stones. From being irresolute and purposeless, his feet became animated by an intention, and, in the working out of that intention, they took him to the Doctor's door.
    He was shown up-stairs, and found Lucie at her work, alone. She had never been quite at her ease with him, and received him with some little embarrassment as he seated himself near her table. But, looking up at his face in the interchange of the first few common-places, she observed a change in it.
5
    "I fear you are not well, Mr. Carton!"
    "No. But the life I lead, Miss Manette, is not conducive to health. What is to be expected of, or by, such profligates?"
    "Is it not—forgive me; I have begun the question on my lips—a pity to live no better life?"
    "God knows it is a shame!"
    "Then why not change it?"
10
    Looking gently at him again, she was surprised and saddened to see that there were tears in his eyes. There were tears in his voice too, as he answered:
    "It is too late for that. I shall never be better than I am. I shall sink lower, and be worse."
    He leaned an elbow on her table, and covered his eyes with his hand. The table trembled in the silence that followed.
    She had never seen him softened, and was much distressed. He knew her to be so, without looking at her, and said:
    "Pray forgive me, Miss Manette. I break down before the knowledge of what I want to say to you. Will you hear me?"
15
    "If it will do you any good, Mr. Carton, if it would make you happier, it would make me very glad!"
    "God bless you for your sweet compassion!"
    He unshaded his face after a little while, and spoke steadily.
    "Don't be afraid to hear me. Don't shrink from anything I say. I am like one who died young. All my life might have been."
    "No, Mr. Carton. I am sure that the best part of it might still be; I am sure that you might be much, much worthier of yourself."
20
    "Say of you, Miss Manette, and although I know better—although in the mystery of my own wretched heart I know better—I shall never forget it!"
    She was pale and trembling. He came to her relief with a fixed despair of himself which made the interview unlike any other that could have been holden.
    "If it had been possible, Miss Manette, that you could have returned the love of the man you see before yourself—flung away, wasted, drunken, poor creature of misuse as you know him to be—he would have been conscious this day and hour, in spite of his happiness, that he would bring you to misery, bring you to sorrow and repentance, blight you, disgrace you, pull you down with him. I know very well that you can have no tenderness for me; I ask for none; I am even thankful that it cannot be."
    "Without it, can I not save you, Mr. Carton? Can I not recall you—forgive me again!—to a better course? Can I in no way repay your confidence? I know this is a confidence," she modestly said, after a little hesitation, and in earnest tears, "I know you would say this to no one else. Can I turn it to no good account for yourself, Mr. Carton?"
    He shook his head.
25
    "To none. No, Miss Manette, to none. If you will hear me through a very little more, all you can ever do for me is done. I wish you to know that you have been the last dream of my soul. In my degradation I have not been so degraded but that the sight of you with your father, and of this home made such a home by you, has stirred old shadows that I thought had died out of me. Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it."
    "Will nothing of it remain? O Mr. Carton, think again! Try again!"
    "No, Miss Manette; all through it, I have known myself to be quite undeserving. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire—a fire, however, inseparable in its nature from myself, quickening nothing, lighting nothing, doing no service, idly burning away."
    "Since it is my misfortune, Mr. Carton, to have made you more unhappy than you were before you knew me—"
    "Don't say that, Miss Manette, for you would have reclaimed me, if anything could. You will not be the cause of my becoming worse."
30
    "Since the state of your mind that you describe, is, at all events, attributable to some influence of mine—this is what I mean, if I can make it plain—can I use no influence to serve you? Have I no power for good, with you, at all?"
    "The utmost good that I am capable of now, Miss Manette, I have come here to realise. Let me carry through the rest of my misdirected life, the remembrance that I opened my heart to you, last of all the world; and that there was something left in me at this time which you could deplore and pity."
    "Which I entreated you to believe, again and again, most fervently, with all my heart, was capable of better things, Mr. Carton!"
    "Entreat me to believe it no more, Miss Manette. I have proved myself, and I know better. I distress you; I draw fast to an end. Will you let me believe, when I recall this day, that the last confidence of my life was reposed in your pure and innocent breast, and that it lies there alone, and will be shared by no one?"
    "If that will be a consolation to you, yes."
35
    "Not even by the dearest one ever to be known to you?"
    "Mr. Carton," she answered, after an agitated pause, "the secret is yours, not mine; and I promise to respect it."
    "Thank you. And again, God bless you."
    He put her hand to his lips, and moved towards the door.
    "Be under no apprehension, Miss Manette, of my ever resuming this conversation by so much as a passing word. I will never refer to it again. If I were dead, that could not be surer than it is henceforth. In the hour of my death, I shall hold sacred the one good remembrance—and shall thank and bless you for it—that my last avowal of myself was made to you, and that my name, and faults, and miseries were gently carried in your heart. May it otherwise be light and happy!"
40
    He was so unlike what he had ever shown himself to be, and it was so sad to think how much he had thrown away, and how much he every day kept down and perverted, that Lucie Manette wept mournfully for him as he stood looking back at her.
    "Be comforted!" he said, "I am not worth such feeling, Miss Manette. An hour or two hence, and the low companions and low habits that I scorn but yield to, will render me less worth such tears as those, than any wretch who creeps along the streets. Be comforted! But, within myself, I shall always be, towards you, what I am now, though outwardly I shall be what you have heretofore seen me. The last supplication but one I make to you, is, that you will believe this of me."
    "I will, Mr. Carton."
    "My last supplication of all, is this; and with it, I will relieve you of a visitor with whom I well know you have nothing in unison, and between whom and you there is an impassable space. It is useless to say it, I know, but it rises out of my soul. For you, and for any dear to you, I would do anything. If my career were of that better kind that there was any opportunity or capacity of sacrifice in it, I would embrace any sacrifice for you and for those dear to you. Try to hold me in your mind, at some quiet times, as ardent and sincere in this one thing. The time will come, the time will not be long in coming, when new ties will be formed about you—ties that will bind you yet more tenderly and strongly to the home you so adorn—the dearest ties that will ever grace and gladden you. O Miss Manette, when the little picture of a happy father's face looks up in yours, when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you!"

    He said, "Farewell!" said a last "God bless you!" and left her.


And this one even better then the last:


The Footsteps Die Out For Ever
    Along the Paris streets, the death-carts rumble, hollow and harsh. Six tumbrils carry the day's wine to La Guillotine. All the devouring and insatiate Monsters imagined since imagination could record itself, are fused in the one realisation, Guillotine. And yet there is not in France, with its rich variety of soil and climate, a blade, a leaf, a root, a sprig, a peppercorn, which will grow to maturity under conditions more certain than those that have produced this horror. Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.
    Six tumbrils roll along the streets. Change these back again to what they were, thou powerful enchanter, Time, and they shall be seen to be the carriages of absolute monarchs, the equipages of feudal nobles, the toilettes of flaring Jezebels, the churches that are not my father's house but dens of thieves, the huts of millions of starving peasants! No; the great magician who majestically works out the appointed order of the Creator, never reverses his transformations. "If thou be changed into this shape by the will of God," say the seers to the enchanted, in the wise Arabian stories, "then remain so! But, if thou wear this form through mere passing conjuration, then resume thy former aspect!" Changeless and hopeless, the tumbrils roll along.
    As the sombre wheels of the six carts go round, they seem to plough up a long crooked furrow among the populace in the streets. Ridges of faces are thrown to this side and to that, and the ploughs go steadily onward. So used are the regular inhabitants of the houses to the spectacle, that in many windows there are no people, and in some the occupation of the hands is not so much as suspended, while the eyes survey the faces in the tumbrils. Here and there, the inmate has visitors to see the sight; then he points his finger, with something of the complacency of a curator or authorised exponent, to this cart and to this, and seems to tell who sat here yesterday, and who there the day before.
    Of the riders in the tumbrils, some observe these things, and all things on their last roadside, with an impassive stare; others, with a lingering interest in the ways of life and men. Some, seated with drooping heads, are sunk in silent despair; again, there are some so heedful of their looks that they cast upon the multitude such glances as they have seen in theatres, and in pictures. Several close their eyes, and think, or try to get their straying thoughts together. Only one, and he a miserable creature, of a crazed aspect, is so shattered and made drunk by horror, that he sings, and tries to dance. Not one of the whole number appeals by look or gesture, to the pity of the people.
5
    There is a guard of sundry horsemen riding abreast of the tumbrils, and faces are often turned up to some of them, and they are asked some question. It would seem to be always the same question, for, it is always followed by a press of people towards the third cart. The horsemen abreast of that cart, frequently point out one man in it with their swords. The leading curiosity is, to know which is he; he stands at the back of the tumbril with his head bent down, to converse with a mere girl who sits on the side of the cart, and holds his hand. He has no curiosity or care for the scene about him, and always speaks to the girl. Here and there in the long street of St. Honore, cries are raised against him. If they move him at all, it is only to a quiet smile, as he shakes his hair  a little more loosely about his face. He cannot easily touch his face, his arms being bound.
    On the steps of a church, awaiting the coming-up of the tumbrils, stands the Spy and prison-sheep. He looks into the first of them: not there. He looks into the second: not there. He already asks himself, "Has he sacrificed me?" when his face clears, as he looks into the third.
    "Which is Evremonde?" says a man behind him.
    "That. At the back there."
    "With his hand in the girl's?"
10
    "Yes."
    The man cries, "Down, Evremonde! To the Guillotine all aristocrats! Down, Evremonde!"
    "Hush, hush!" the Spy entreats him, timidly.
    "And why not, citizen?"
    "He is going to pay the forfeit: it will be paid in five minutes more. Let him be at peace."
15
    But the man continuing to exclaim, "Down, Evremonde!" the face of Evremonde is for a moment turned towards him. Evremonde then sees the Spy, and looks attentively at him, and goes his way.
    The clocks are on the stroke of three, and the furrow ploughed among the populace is turning round, to come on into the place of execution, and end. The ridges thrown to this side and to that, now crumble in and close behind the last plough as it passes on, for all are following to the Guillotine. In front of it, seated in chairs, as in a garden of public diversion, are a number of women, busily knitting. On one of the fore-most chairs, stands The Vengeance, looking about for her friend.
    "Therese!" she cries, in her shrill tones. "Who has seen her? Therese Defarge!"
    "She never missed before," says a knitting-woman of the sisterhood.
    "No; nor will she miss now," cries The Vengeance, petulantly. "Therese."
20
    "Louder," the woman recommends.
    Ay! Louder, Vengeance, much louder, and still she will scarcely hear thee. Louder yet, Vengeance, with a little oath or so added, and yet it will hardly bring her. Send other women up and down to seek her, lingering somewhere; and yet, although the messengers have done dread deeds, it is questionable whether of their own wills they will go far enough to find her!
    "Bad Fortune!" cries The Vengeance, stamping her foot in the chair, "and here are the tumbrils! And Evremonde will be despatched in a wink, and she not here! See her knitting in my hand, and her empty chair ready for her. I cry with vexation and disappointment!"
    As The Vengeance descends from her elevation to do it, the tumbrils begin to discharge their loads. The ministers of Sainte Guillotine are robed and ready. Crash!—A head is held up, and the who scarcely lifted their eyes to look at it a moment ago when it could think and speak, count One.
    The second tumbril empties and moves on; the third comes up. Crash!—And the knitting-women, never faltering or pausing in their Work, count Two.
25
    The supposed Evremonde descends, and the seamstress is lifted out next after him. He has not relinquished her patient hand in getting out, but still holds it as he promised. He gently places her with her back to the crashing engine that constantly whirrs up and falls, and she looks into his face and thanks him.
    "But for you, dear stranger, I should not be so composed, for I am naturally a poor little thing, faint of heart; nor should I have been able to raise my thoughts to Him who was put to death, that we might have hope and comfort here to-day. I think you were sent to me by Heaven."
    "Or you to me," says Sydney Carton. "Keep your eyes upon me, dear child, and mind no other object."
    "I mind nothing while I hold your hand. I shall mind nothing when I let it go, if they are rapid."
    "They will be rapid. Fear not!"
30
    The two stand in the fast-thinning throng of victims, but they speak as if they were alone. Eye to eye, voice to voice, hand to hand, heart to heart, these two children of the Universal Mother, else so wide apart and differing, have come together on the dark highway, to repair home together, and to rest in her bosom.
    "Brave and generous friend, will you let me ask you one last question? I am very ignorant, and it troubles me—just a little."
    "Tell me what it is."
    "I have a cousin, an only relative and an orphan, like myself, whom I love very dearly. She is five years younger than I, and she lives in a farmer's house in the south country. Poverty parted us, and she knows nothing of my fate—for I cannot write—and if I could, how should I tell her! It is better as it is."
    "Yes, yes: better as it is."
35
    "What I have been thinking as we came along, and what I am still thinking now, as I look into your kind strong face which gives me so much support, is this:—If the Republic really does good to the poor, and they come to be less hungry, and in all ways to suffer less, she may live a long time: she may even live to be old."
    "What then, my gentle sister?"
    "Do you think:" the uncomplaining eyes in which there is so much endurance, fill with tears, and the lips part a little more and tremble: "that it will seem long to me, while I wait for her in the better land where I trust both you and I will be mercifully sheltered?"
    "It cannot be, my child; there is no Time there, and no trouble there."
    "You comfort me so much! I am so ignorant. Am I to kiss you now? Is the moment come?"
40
    "Yes."
    She kisses his lips; he kisses hers; they solemnly bless each other. The spare hand does not tremble as he releases it; nothing worse than a sweet, bright constancy is in the patient face. She goes next before him—is gone; the knitting-women count Twenty-Two.
    "I am the Resurrection and the Life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me shall never die."
    The murmuring of many voices, the upturning of many faces, the pressing on of many footsteps in the outskirts of the crowd, so that it swells forward in a mass, like one great heave of water, all flashes away. Twenty-Three.
    They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.
45
    One of the most remarkable sufferers by the same axe—a woman-had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given any utterance to his, and they were prophetic, they would have been these:
    "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
    "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
    "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
    "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day's disfigurement—and I hear him tell the child my story, with a tender and a faltering voice.
50
    "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known."

48 Bible verses.

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